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| CÉZANNE, Paul 1839 - 1906 |
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| Grand Bouquet of Flowers |
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| c.1892-95 |
| oil on canvas, 81.0×100.0 cm |
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| O01245 |
| The National Museum of Modern Art, Tokyo |
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| Provenance |
| Ambroise Vollard, Paris, by whom acquired directly from the artist; Auguste Pellerin, Neuilly-sur-Seine; Jean-Victor Pellerin, Paris, c.1929; Wildenstein Galleries, Paris, in the mid of 1970s; Wildenstein Tokyo, 1987; Private Collection, Japan, c.1987-c.1996; Wildenstein Tokyo; Wildenstein, New York; Christie's, London, 2 February 2004, Impressionist and Modern Art Evening Sale; Private Collection; Private Collection; Purchased by the MOMAT, 2014 |
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| Exhibition History |
| 1936 |
Cézanne, Musée de l'Orangerie, Paris |
| 2015 |
Cézanne : pioneer of modern art, Pola Museum of Art, Hakone, 2015/4/4 - 2015/6/8 |
| 2015 |
No Museum, No Life?: Art-Museum Encyclopedia to Come From the Collections of the National Museums of Art, The National Museum of Modern Art, Tokyo, Tokyo, 2015/6/16 - 2015/9/13 |
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| Bibliography |
| 1936 |
Cézanne, son art-son oeuvre, Paul Rosenberg Éditeur |
| 1989 |
Cézanne, son art-son oeuvre, Alan Wofsy Fine Arts |
| 1996 |
The Painting of Paul Cézanne, a Catalogue Raisonné, Harry N. Abrams |
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| Works by this artist |
| Grand Bouquet of Flowers, c.1892-95, The National Museum of Modern Art, Tokyo | | A Reclining Nude (Nude in the Landscape), 1875(ca.), The National Museum of Western Art, Tokyo | | The Bridge and Dam at Pontoise (Le Pont et le Barrage à Pontoise), 1881, The National Museum of Western Art, Tokyo | | The Bare Trees at Jas de Bouffan, 1885-86, The National Museum of Western Art, Tokyo | | Pot and Soup Tureen, 1888-90, The National Museum of Western Art, Tokyo | | The Eternal Feminine, 1890-95, The National Museum of Western Art, Tokyo | | On the Boat, 1900-06, The National Museum of Western Art, Tokyo | | La préparation du banquet (Preparation for a Banquet), c.1890, The National Museum of Art, Osaka |
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